Tag Archives: history

Almhult, Sweden and the World of IKEA

It couldn’t have been any greyer — flat skies and a persistent thin drizzle keeping everything damp to the touch outside. But we had a destination in mind — the IKEA Museum in Almhult, Sweden — located in the original 1950s building that had been the first store in the retail empire.

The exhibits are spread out over several floors, but the entire experience moves at a sensible pace when compared to the slower-paced decision making necessary when shopping in one of their retail stores.

Levels of exhibits at the IKEA Museum in Almhult, Sweden — the original 1950s store in the IKEA empire.

The museum’s purpose is to explain the origins and history behind the founding of IKEA and why the harsh economic conditions of the region, both before World War II and immediately afterwards, had contributed to the ideas that fermented inside the head of Ingvar Kamprads.

Interestingly, the museum goes back to the rural poverty of the mid-1800s, a time that saw tens of thousands of Swedes emigrating in hopes of a better life, usually to the United States of America.

Once the exhibit arrives at the pre-war years of the 1930s, it very truthfully reveals that Kamprad’s beloved grandmother was a devoted follower of Hitler and believed in his cause. Fortunately, although Kamprad himself flirted with those ideas as a young teenager, he soon proved that his destiny was to empower Swedish society as a whole through good design at a fair cost.

Watching a documentary segment at the IKEA Museum in Almhult, Sweden.

The exhibits that showed how the building must have looked in 1958 when it opened were particularly interesting. There was nothing there that we wouldn’t have had in our own home today.

1958 Photo Mural & Furniture Juxtaposition-IKEA Museum in Almhult, Sweden.

A beautiful showroom demonstrating the evolution of modern design ideas at the IKEA Museum in Almhult, Sweden.

We arrived at lunch time after I needed to sleep in a bit (chronic insomnia struck again!) and headed straight for the meatballs. Mark were the classic ones, but mine were salmon instead.

Deborah Harmes eating lunch at the IKEA Museum in Almhult, Sweden.

The lounge area of the cafe had a gas-effects fireplace and it was a cozy place for the informal business meetings we saw being conducted.

Business meeting being conducted in front of the fireplace at the IKEA Museum cafe in Almhult, Sweden.

It’s a very pleasant museum and the historical aspects of the exhibits allow the visitor to understand the background history that eventually created the global powerhouse that is the IKEA retail empire. Highly recommended!

A windowfront display of green glass in the shop at the IKEA Museum in Almhult, Sweden.

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©Deborah Harmes 2007-2019, ©Mark Harmes 2007-2019
©A Wanderful Life 2007-2019
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Deborah Harmes is a freelance writer, editor, and photographer and may be found at http://www.deborahharmes.com — Linkedin — Twitter — Instagram — Alamy photographic portfolio.

Paris Rendezvous — Part Four

The latest post is a sprinkling of images from our last days in Paris. It was a very compressed 5-day visit during an intense heatwave.

View of the Eiffel Tower from the Avenue de La Bourdonnaise in Paris.

Resting in the shade by a cooling water garden in back of the Musee Quai Branly in Paris. The Rue de L’Universite.

This isn’t chalk — these are painted designs on the bicycle and scooter lane alongside the Quai D’Orsay in Paris. Can’t find any information about what the marks mean!

Dinner at the Brasserie Terminus Balard in Paris.

Next up — a post full of images taken by Mark Harmes in Paris!

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©A Wanderful Life 2007-2018
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Paris Rendezvous — Part Three

One of the most delightful aspects of visiting a cultural hub like Paris is the availability of things to do each day! This large and fascinating museum — Musee Quai Branly — was completely new to me.

After I finished taking photos on the Pont de L’Alma bridge overlooking the Quai D’Orsay and the Seine, we turned around and hugged the shady side of the pavement on Quai Branly. The sun was eye-wateringly bright and the temperatures were over 30 degrees celsius in the shade. The architectural style of the museum was a wonderful surprise. Both the colours and the exterior layers of planting and building placement were quite enjoyable to stroll through.

The museum is vast and contains collections from Africa, Asia, the Middle East, Oceania, and the Americas — all spread out over multiple levels in a gloriously contemporary set of buildings. The photos below are a mere sample of what there is to see!

Mayan statue in one of the collections of the Musee Quai Branly in Paris.

Musee Quai Branly restaurant set in the gardens of this extensive Seine-side museum in Paris.

Exterior ticket office within the cluster of contemporary buildings at the Musee Quai Branly in Paris.

Massive carved sandstone head from Oceania in the Musee Quai Branly in Paris.

Quite funny to watch all of these adults scampering from area to area whilst participating in some sort of corporate team-building scavenger hunt. This was going on all over the various levels of the Musee Quai Branly in Paris.

One of a collection of masks from the Pacific Northwest of North America at the Musee Quai Branly in Paris.

One of a collection of masks from the Pacific Northwest of North America at the Musee Quai Branly in Paris.

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©Deborah Harmes 2007-2018 and
©A Wanderful Life 2007-2018
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Breathtaking Brittany — Multiple Posts Coming Up!

We’re on the road in Brittany right now — taking a much needed holiday. I’ll have a whole series of posts from Dinan and Morlaix and the Finistere and Quimper. From ancient towns filled with half-timbered or stone buildings to pre-historic standing stones to gothic cathedrals — this part of France is simply stunning.

Just a tease or two — so shhhh — come back soon!

Rooftop Jumble in the historic city of Quimper in the Finistere Brittany, France.

Side entry of the Cathedral in Quimper, Brittany, France.

Standing stones near Camaret-sur-Mer

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The Medieval Abbey of Saint-Pierre-sur-Dives in Normandy

There is no way to miss this impressive abbey from anywhere within the small town of Saint-Pierre-sur-Dives. And it is easily visible as you drive across the Calvados countryside, too. It’s quite wonderful to be living a mere ten minutes away from a place like this.

Founded in 1011 by Countess Lesceline, the aunt of William the Conqueror — the abbey has undergone a variety of extensions and renovations over the subsequent centuries and those renovations continue right into the present day. Here’s a small photo essay of this truly gorgeous abbey.

A glimpse of the medieval abbey towers of Saint-Pierre-sur-Dives can be seen all throughout the town and from several miles/kilometres away as you drive across the landscape of Calvados in Normandy, France. Founded in 1011 by Lesceline, the aunt of William the Conqueror, the abbey has been enlarged, rebuilt, or renovated several times over the following centuries.

A glimpse of the medieval abbey towers of Saint-Pierre-sur-Dives can be seen all throughout the town and from several miles/kilometres away as you drive across the landscape of Calvados in Normandy, France. Founded in 1011 by Lesceline, the aunt of William the Conqueror, the abbey has been enlarged, rebuilt, or renovated several times over the following centuries.

Exterior view of stained glass-filled chapels at the Abbey in Saint-Pierre-sur-Dives.

Exterior view of stained glass-filled chapels at the Abbey in Saint-Pierre-sur-Dives.

Chapel containing the grave of Lesceline, the aunt of William the Conqueror and founder of the abbey in 1011.

Chapel containing the grave of Lesceline, the aunt of William the Conqueror and founder of the abbey in 1011.

The gravestone of Lesceline, the aunt of William the Conqueror and founder of the abbey in 1011.

The gravestone of Lesceline, the aunt of William the Conqueror and founder of the abbey in 1011.

The main altar area of the abbey.

The main altar area of the abbey.

A side aisle in the abbey.

A side aisle in the abbey.

A rather curious set of stairs to nowhere.

A rather curious set of stairs to nowhere.

Abbey interior.

Abbey interior.

Lovely angles and arches.

Lovely angles and arches.

A drawing of the original layout -- much of which on the outer perimeter facing the gardens is being restored at present.

A drawing of the original layout — much of which on the outer perimeter facing the gardens is being restored at present.

These are the buildings along the outer part of the Abbey complex -- the ones that are facing the gardens in the illustration above. The French government sold these buildings off after the Revolution and they have gradually been repurchased. Some of them are in perilous condition and are being properly renovated now.

These are the buildings along the outer part of the Abbey complex — the ones that are facing the gardens in the illustration above. The French government sold these buildings off after the Revolution and they have gradually been repurchased. Some of them are in perilous condition and are being properly renovated now.

Simple chairs against a lovely metalwork enclosure near the main altar.

Simple chairs against a lovely metalwork enclosure near the main altar.

The ever-present candles.

The ever-present candles.

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MORE Vintage World War II Posters from Germany

Today is the final article from the German Historical Museum in Berlin, Germany.

With the exception of one bit of commentary further down, I am going to let the artwork speak for itself. These are all original posters that are rarely seen outside of Europe. And in spite the horrors of this period in history, I am grateful that someone thought to preserve these for posterity.

 

Hitler Election Campaign Poster

Hitler Election Campaign Poster


 
Hindenburg and Hitler Poster

Hindenburg and Hitler Poster


 
Raised Arm Salute

Raised Arm Salute


 
Hitler believed that his war was a contemporary religious and racial Crusade.

Hitler believed that his war was a contemporary religious and racial Crusade.


 
The worker and the soldier are apparently united against Socialism. The red star and Hammer & Sickle symbol on the jacket of the bottom figure reference the Russians aka USSR -- Union of Soviet Socialist Republics. And that same figure has clothing that references the stars and stripes of the USA and a top hat with the British flag on it. Interesting political statement!

The worker and the soldier are apparently united against Socialism. The red star and Hammer & Sickle symbol on the jacket of the bottom figure reference the Russians aka USSR — Union of Soviet Socialist Republics. And that same figure has clothing that references the stars and stripes of the USA and a top hat with the British flag on it. An interesting and layered political statement!


 
Kampffront -- Battle Front Black White Red

Kampffront — Battle Front Black White Red


 
I’d like to make a few comments about the final poster. As we stood in front of it, it was clear that it was a poster for a film, but I had no idea what the context was. As I researched the title, I discovered that this was a rather infamous movie that served its purpose — to create a divisive attitude of resentment and outright hatred of the Jews in Europe.

Jud Suss ended up being considered to be one of the most anti-semetic films of all time and it was well attended in every movie theatre. It was fully supported by Hitler’s devoted follower and Reich Minister of Propaganda in Nazi Germany from 1933 to 1945 — Joseph Goebbels.

The artwork of the poster was even meant to summon up negative emotions amongst the everyday German population by showing the title character with a deeply green and reptilian skin colour and sinister-looking yellow eyes. I have placed a link to the article about this film in the paragraph above.
 

Poster advertising the anti-semetic film Jus Suss.

Poster advertising the anti-semetic film Jus Suss.


 

I hope you have enjoyed a glimpse at this rather strange social and political time period.

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Vintage World War II Posters from Germany

In this second part of the visit to the Zeughaus, the late 17th and early 18th Century building that houses the German Historical Museum in Berlin, the Deutsches Historisches Museum — I must admit that it was both fascinating and a bit off-putting.

In the lead-up to those galleries full of nationalistic poster art, there are exhibits of social history that explained the frightful poverty and economic collapse in Germany in the period leading up to World War II.

Since there are so many images, I have decided to do a 3rd post about this museum. With the exception of the one rather depressing ink drawing style poster from the 1930s showing a starving family, today’s article shows lots of happy and upbeat propaganda to reinforce the message that the German people were unified in their thinking and to drum up feelings of purposefulness about their cause.

 

A 1930s poster showing a woman and child in extreme poverty.

A 1930s poster showing a mother and children in extreme poverty.


 
1936 Winter Olympics poster

1936 Winter Olympics poster


 
Silhouette of the top of the iconic Brandenburg Gate in Berlin overlaid onto this poster for the summer Olympics.

Silhouette of the top of the iconic Brandenburg Gate in Berlin overlaid onto this poster for the summer Olympics.


 
The German ideal of happy families with blonde hair and healthy bodies was highly encouraged.

The German ideal of happy families with blonde hair and healthy bodies was highly encouraged.


 
More perfect-looking blonde children to create Hitler's future Utopia.

More perfect-looking blonde children to create Hitler’s future Utopia.


 
And of course, the idea was heavily promoted that once this temporary messiness of war was over, all good German working families would have prosperity and their own car for drives in the countryside. Recognise the early Volkswagon?

And of course, the idea was heavily promoted that once this temporary messiness of war was over, all good German working families would have prosperity and their own car for drives in the countryside. Recognise the early Volkswagon?


 
Whether you are a university educated man who works with his brain or a tradesman who works with his hands, the we're-all-in-this-together approach is on display in this propaganda poster.

Whether you are a university educated man who works with his brain or a tradesman who works with his hands, the we’re-all-in-this-together approach is on display in this propaganda poster.


 
The glamourous airships or Zeppelins were still flying into the late 1930s. They provided a mental boost to the German public about their superiority with the construction of these massive airships.

The glamourous airships or Zeppelins were still flying into the late 1930s. They provided a mental boost to the German public about their superiority with the construction of these massive airships.


 
The era of the Zeppelins came to an end in 1937 with the Hindenburg Disaster which took the lives of 35 out of 97 people on board. All remaining German airships were ordered to be destroyed in 1940. The article at the link above is quite comprehensive and if you are interested in that sort of aviation history, it’s definitely worth the time to read through it.

The third and final article from this museum in Berlin shows World War II posters from Germany that are significantly less sunny and optimistic. Watch for those in my next article.

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