Tag Archives: Nazi prison

A Lingering Vibe of Sadness in Eastern Germany

It caught me by surprise — that lingering sense of sadness, hopelessness, and anguish. But I was too busy trying to catch up on editing photos to focus on tuning into the first wave of the vibe. I certainly hadn’t intended to know the history of that place since all I thought we were doing was ‘parking’ ourselves for a week after our wonderful month in Berlin. But it happened nonetheless, washed over me, and it has taken me months to feel like writing about it.

Ferienpark Dresden main building with self-contained apartments upstairs

The biergarten (beer garden & exterior dining area) at Ferienpark Dresden

We had been enjoying our time in a self-contained apartment in the small town of Ortrand outside of Dresden. We were at the Ferienpark Dresden campground with holiday apartments that were surrounded by thick forests on one side and flat farmland stocked with dairy cattle on the other side. We could cook for ourselves or eat in the charming little restaurant downstairs. And the biergarten served such yummy dark German beer! The setting was lovely, all was well, and there was no reason for my psychic senses to go all twitchy.

But as we took a long walk one afternoon to put some movement into my laptop-obsessed-and-inactive-body, I spontaneously blurted out to Mark as we walked, “I wouldn’t want to ask any of the local people about what went on here during World War II.” Mark was accustomed to this sort of out-of-the-blue sensing from me, so he just looked at me and didn’t query my reactions as I continued to talk.

“I get the oddest vibe here — as if there was a concentration camp or a work camp or something even more dire related to the Nazis. It’s hanging around in the atmosphere all of these years later. And it would make the current occupants uncomfortable about what their parents and grandparents might have been up to 70 years ago. I’d never want to make any of these nice people feel ill at ease.”

Every single person that we had met thus far had been completely charming and both common sense and common courtesy meant that I knew that the German people were quite sensitive and aware of what an aberration those 1930s and 1940s years were under the Nazi regime. I read the English translation of the German newspaper online and I knew that both the government and the general populace were determined to never have a return to that kind of chaotic violence. But it was a hurtful period to reflect on for many of them, so I wanted to practice the utmost courtesy and simply not ask.

We had stopped to stare at a waterway and the cows in the field as we continued on into the town. Then I told Mark that I was going to do a web search when we got back to the apartment. I knew that we were in an area that had been in East Germany until the reunification in the late 1980s, but it didn’t feel like a Communist time period vibe — it felt like a 1940s vibe.

On we walked into the spotlessly clean and orderly Ortrand, looking around slowly, and we began to spot things that we had never seen when we had arrived three days earlier from the other direction and gone straight into the campground complex. Watch towers — we saw watch towers looming over two different places. And then we walked by the fences, fences that were quite a lot taller than I am, fences that spanned both sides of one of the roads on the outskirts — and my entire stomach just went all icky.

 

Fences with a lingering 'vibe' in Ortrand near Dresden in eastern Germany

 

“Why are those fences shaped like that?” I asked Mark. And he told me that they were bent at the top to keep things in, not keep intruders out. I didn’t have a camera with me and we had to return there a few days later as we were departing, but I thought I would share what we saw and what I discovered.

There were large concrete tanks and platforms and crumbling buildings behind those fences and I was just preparing to photograph those when the hair on the back of my neck began to stand up. I turned to see a man who appeared to be in his early to mid-90s who was absolutely glaring at me with an extremely hostile expression when he spotted my camera. We departed quickly.

Ortrand had been the site of a work camp — one of the “Arbeitskommandos (Work Camps) supplied from Stalag IV-D” in Torgau according to the website run by a man named Graham Johnson. His extensive research was done to honour the memory of his father who was a prisoner in one of these camps. If you scroll down that extensive list, you will find that Ortrand used British servicemen from Stalag IV-D to make cement for the German army. That certainly explained all of those moldering buildings behind the fencing which were grown over and only partially visible.

This Iron Cross and Eagle monument, pictured below, stands in the middle of a traffic round-about in front of the train station which is currently full of workmen and undergoing renovation. So yes, the past is still visible in several places around the village.

 

Iron Cross and Eagle on monument in front of train station under restoration

 

This is Ortrand today — a very peaceful, pretty, and tidy village full of pastel coloured buildings. Any feelings of discomfort that I may have had several days previously were dispelled by an afternoon of walking around, taking photographs, eating ice cream, and drinking a wonderfully strong expresso at a local cafe.

 

The main square in Ortrand near Dresden in eastern Germany

 

Pastel buildings in Ortrand near Dresden in eastern Germany

 

View down Bahnhoffstrasse from train station towards the village

 

Barista in Ortrand making a splendid expresso!

 

I am quite aware that most people aren’t as sensitive to lingering historical vibrations as I am, but it was an episode that I felt was worth sharing.

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Berlin – The Eerie and Artistic Kunsthaus Tacheles

“What was this place? It has such presence that it had to have been something special — something significant. Do you know what it was in the past?” I looked up at Stefan as we walked through the arched opening and into an area that had flea-market type stalls set up. But my friend from Berlin didn’t know anything about it other than the current incarnation as a rather shabby-looking artists’ collective.

Banner on iron fencing advertising metal sculptures inside Kunsthaus Tacheles

Stalls beneath the arched entry of Kunsthaus Tacheles in Berlin

Looming overhead were statues atop tall columns, headless statues with workmanship that told of days long gone when the building and the arched entry had been something splendid.

Headless sculpture at Kunsthaus Tacheles in Berlin

My body was distinctly ill at ease as we walked through the adjacent shop that sold the paintings of several artists belonging to the collective. I internally acknowledged that sharpness as I examined various works of art.

Exterior of Kunsthaus Tacheles

The atmosphere was heavy with some sort of prickly energy and questions lingered in my brain for hours after we had returned to the car and driven away. So I went in search of information about the Kunsthaus Tacheles on Oranienburger Strasse and I was quite stunned with what I discovered.

The official Kunsthaus Tacheles website has an English-language entry with a bit of information about the history halfway down the page.

But a far darker set of revelations are detailed at the Wikipedia entry for Kunsthaus Tacheles.

From the early days as a department store, it had changed hands several times until it became a Nazi prison and SS Headquarters during World War II — and that lingering residue in the atmosphere would certainly account for the uncomfortable energy that I felt. The chaotic appearance of the entire structure would put off quite a lot of people and a shallow interpretation of the energy that I was feeling prior to doing this research might have people thinking that it was just the state of decay and general level of mess that made me uneasy. No — it was far more palpable and deep than that. And yes, I can understand from a public relations perspective why the ‘official’ website skims over the events of the Nazi occupation.

I was not allowed to take pictures inside due to the many signs stating that no photos were allowed. So I’ve had to limit the shots in this post to the ones that I could safely take in the arched entryway and the exterior views. I do understand the restrictions on photography since the one artists’ shopfront that we entered had some splendid paintings — and every artist, myself included, wants to protect their artistic or intellectual rights to their work.

There have been attempts to raze the structure to the ground for several decades and apparently the artists within feel that this danger still exists. They are handing out flyers inside asking people to please support their cause. The white mural below is painted on the left side of the building as a sign of protest.

"How long is now" banner at Kunsthaus Tacheles

Next to the white mural is the 3-D roach sign which translates (according to the German-to-English Google translate site — so please forgive me if it isn’t completely correct!) as “Before the wall, after the wall, sent the State the bugs.” I think we can all get the gist of that!

Roach as political statement on Kunsthaus Tacheles

An article in the British press in January 2011 titled “East Berlin fights back against the yuppy invaders” details this struggle. The real estate development potential of the site may hold more power with the Berlin government than the thought of losing another historic landmark.

The sensible little ‘serial house renovator’ in me thinks that obtaining a grant, based on the historic preservation aspects of the building, to at least spruce up the exterior of the building could perhaps sooth the fretfulness of those in the neighbourhood who think that the bomb-site appearance is no longer in keeping with the rest of the street. But then again, the artists who use that space might like the chaotic-creative-frenetic vibe and wish to keep it just as it is without ‘prettying it up.”

There is still a lingering question for me and it is one that my personal curiosity, and the world, may never have an answer to. Why was the sub-basement of that building flooded by the Nazis? What was down there that they didn’t want uncovered?

If the building does get torn down, I rather doubt that any property developer would allow that information about the contents of the flooded sub-basement to be released. But it will nag at me on occasion — it truly will.

Mysteries — mysteries. Perhaps after all of this time, it is best not to know.

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©Deborah Harmes and ©A Wanderful Life
Please respect the text and photos on this page.
All rights reserved.